Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Sunday, June 16, 2013

The Kid, The Old Man

photo: valerie murre-schlick, 1969


But what do you get the man who has nothing for Father's Day?  A son.  Received 15 June 1969, Father's Day that year, Morgan, my firstborn, and he, today, celebrating the holiday himself for the eighteenth time as the celebrated.  But for big, round glasses and a well-waxed handlebar moustache, he still looks about the same, though taller.  I'm shorter, fatter, balder.  Still proud of my kids, their kids.  Still getting accustomed to being The Old Man. 

Just a moment, now, to thank Arvin and Daniel and Cornelius and all those grandfathers' grandfathers back to Lieven Murre, born in 1630, and his grandfathers, whose names I do not know.

~ R.M.

Tuesday, August 23, 2011

Locked

Learning Fractions

The urge to unite – beyond the biological,
beyond the congress that continues the species –
can be explained: there’s shelter and comfort
and good cooking and conversation.
Division is difficult, though, never mind
the cold feet. The becoming one-half of
what was one, the undoing what was done.
Parceling out the goods and goodness
fifty/fifty, or drawing and quartering
the bookshelves’ perfect order. The music –
my Unchained Melody, Your Cheatin’ Heart
no, that was mine, this yours.
An old copy of Que Sera, Sera.
Now close and lock the doors.

~ Ralph Murre

Friday, March 25, 2011

In the Night


In this one, my father's big, dark workhorse and I are waiting for my father. I hold the bridle and try to keep the restless horse in place to be harnessed to his labors. There is someone else, or some other horse or dog that I do not know and never look at directly, so I don't know if that's important to the dream or not.
.
We are in the house; the horse, the other, and I, looking out the windows with increasing concern for my father, because he's very late now. We're on the second floor, not in one of the bedrooms, but in a big room at the back of the house, which overlooks the whole farm. I apologize for the delay to the horse, who I seem to know very well, but has no name. He whispers something to me in English, the horse does, but I can't make it out at first, because I didn't know he could talk, but then he puts his big nose and mouth right up to my ear, which I find comforting, and the horse says, "He's not coming, Ralph, but it's O.K. It's O.K., Ralph," he says, but I can see he's worried, too. The horse has to go out to pee and can't stand still any longer, so I finally let go of him.
.
It's time for supper already. Someone's getting supper, probably my Aunt Norma. I bring chairs to the table; a normal wooden chair for myself, a large green chair for the other, and a very heavy and very large canvas director's chair, which I cover with a coarse blanket, for the horse.
.
Something is rattling at the side of the house and the other and I see that it is my father, climbing a tall ladder to the window, which I push up, so he can get in. The ladder ends a little below this window, so I reach out to help. I say, "Dad, you're very late, it's time for supper, come in." Now he looks like an actor who looks very much like my father. He's just smiling at me when it hits me: "Oh," I say, "you can't come in, can you?" And my father or the actor says, "No," sees that I'm afraid and says, "Don't worry, it's very beautiful out here. Look." He is wearing no clothes and smiling broadly and the world out the window is, indeed, very beautiful.
.
The actor playing my father slowly backs down the ladder to join an actor playing my Uncle Clarence, though he doesn't look like him. He's also nude, but it all seems normal and good. They stroll off toward the horizon, the naked men, looking this way and that at the trees and those long sunbeams like in children's books, and the flowers. They seem very happy, these actors who are playing my father and uncle, and I don't worry for them.
.
I wonder where has the horse gotten to and who is the other and where is supper? And why didn't they get Bert Lahr to play Uncle Clarence, since they looked alike?
.
~ Ralph Murre

Wednesday, January 05, 2011

Time Lines

Photo-painting by S. Auberle
...
o holy of holies
I see you
o grandchild
of my grandchild
I see you clearly
child of my child
product of my
reproduction
life from my life
o grandfather
do you see me?
o grandmother
I am working
in your garden
~ Ralph Murre


Tuesday, October 19, 2010

Bowl

much-manipulated image from a painting by peter klinefelter

Oh, Brother, (can I call you that, though we never met?) our mothers danced to this drum, they fed us from this bowl, this Anishinabe bowl, this bowl of Colombia, this bowl of Lapland, Africa, China, Massachusetts.

Oh, Brother, join me. We will beat a rhythm on our empty bowl that will match the beating of the Great Drum, we will overturn our bowl and see the back of the Great Turtle upon which we still dance.

Oh, Brother, can you hear the heart of the ocean, can you see our mothers swimming there? Are they returning to fill our bowl once more?

~ Ralph Murre


Saturday, May 08, 2010

L.M.H.

and when the time
came for scattering her
to the winds
he could not
but
sheltered ashes
beneath that little tamarack
where the marigolds
bloom in spring
.
because shelter
was what he could give
~r.m.

Sunday, January 10, 2010

From the Willows

The child
confident and un-mousy
in the costume
of a caroling field mouse
advances to the stage
hits her mark
plays a small part
visiting Mole’s home
The Wind in the Willows
blowing her way

An old man
seated half-way back
in a crowded theater
wipes his eyes

The father of the father
of the child
from his seat back there
looks all the way forward
to the woman
wind blowing her way still
and the boat he
messes about in
so quickly
across the wide sea

~ Ralph Murre

Thursday, December 24, 2009

Flashback

Ya. Good morning. Merry Christmas.

Get up now.

Your ma's milking cows

since before five.

Ya. Since she put presents

under the tree.

We'll go in the truck

and haul silage from the other place

before church.

Ya, it's cold.

Ya, just a couple minutes then.

Eat quick.

We gotta go.

You know she's gonna sing

in the choir today.

Ya. Good morning. Merry Christmas.

Get up now.

The cows gotta eat.

We'll clean the barn later.

Get up now.



~ Ralph Murre


old drawing;

new poem


Tuesday, November 03, 2009

Where does the wind come from?

So that grandchildren will not have their heads filled (by their parents) with crazy ideas about the source of the wind . . .

Trees listen very, very carefully.
They hear the things which we can barely dream.
And sometimes they hear music.
Only trees and tall grass and water
can hear these tunes.
And the music is so good,
that the trees can’t help but dance!
An oak or cedar or birch,
its feet deep in the earth,
does not dance in the same way
as a whale or dog or person,
but it can sway its mighty body and shoulders
to the rhythm.
Not much happens when tall grass dances,
but when whole forests of trees
begin to dance,
they stir up great winds.
These winds carry the quiet music
to other forests of trees and prairies of grass
and oceans of water.
Soon, they are all dancing
to the music
which even whales and dogs and people
cannot hear.

We must be very quiet near trees
and tall grass and water,
so they can hear the music.

- Ralph Murre

O.K., that's an old one, but maybe as good as anything I'm writing these days . . .

Friday, August 14, 2009

Blood

family picnic
alike and so different
our bodies and blood
~ arem

Sunday, June 21, 2009

Remembering Arvin

Photograph probably by Laura Murre
he was a boxer
and a pacifist
a socialist
who married a republican
a tireless worker
taken by naps
a short man
who stood tall
a whistler of his own tune
a rider of the rails
and one-time cowboy
a distruster of words
and teller of stories
a speedskater
a carpenter
given to long walks
a counselor
given to short talks
he was just kid enough
to be my old man
~ Ralph Murre

Sunday, May 10, 2009

To Laura, gone now

Aw jeez, Ma, I miss ya somethin' terrible.

Was There a Poem?

In her dark hands that milked cows and made lace,
hands that fixed tractors and wiped tears?
A poem in the dark hands
that built houses and kept them, that worked the earth
and folded to a heaven she was sure of?
Hands that hammered out justice and
handed out calloused caresses,
those hands that labored at the piano,
but changed flat tires with ease?

Was there a song in her dark eyes
that laughed easy, but cried hard;
eyes that saw good wherever it hid?
Eyes that struggled in darkness
to read the verses and read them again
until she saw light in the words?
A song in the dark eyes that bid me welcome,
the colorless eyes that I bid goodbye?

Was there a portrait in her dark face?

- Ralph Murre

(appeared in Crude Red Boat, from Cross+Roads Press)

Thursday, May 08, 2008

Could Be (revised)



Now, don't think I've gone 'round the bend on ya, and don't be lookin' fer me down at Sunday go t' meetin'; but there COULD be angels, I guess. And I sure as hell am not sayin' there's a big G God out there, since I find it a lot easier to conceive of a lot of little g gods who don't get along very well. But when, I'm wondering, did I get so much smarter than all those people over the millenia who absolutely believed in SOMETHING in the way of a force or mind that occasionally, and maybe just for fun, screws around with our little, mortal mentalities. Oh, the true believers have done more out and out EVIL than an arena full of atheists could ever dream of, but hey, a very few of them aren't all bad. A few, even, are among my heroes -- consider the words of one of them now:

. . . I never believed in the presence of angels, but my dreams have changed . . . I asked him for one more moment of the dream, which gave me peace.

. . . Science is concerned to deprive us of illusions, though why it is eager to do so is unclear . . . What have they left us? Only the accountancy of a capitalist enterprise.

- Czeslaw Milosz, from his book SECOND SPACE

Incidentally, one of the angels in the photo above is my five year old granddaughter, who, upon returning home with her new costume said to her two-and-a-half year old brother, "I'll be an angel, and you can be Baby Jesus.", to which he replied, "No. I'm a snake." Clearly, both have inherited my genes.

Wednesday, February 20, 2008

Don'tcha Ever Wonder About Dragons?

Ice Sculpture by Adrian Murre
Don'cha ever wonder about dragons up to their scaly knees in deep snow on Viking stavkirks, or dodging, in their serpentine way, the fireworks of a Shanghai parade, or gone all mossy somewhere in County Clare and the whole while trying to remain mythical as gods in science labs?
You have to wonder, don'tcha, about fire-breathing? About methane production and the chance of a spark before belching became boorish? About the odds of singeing a few ancients? I mean, you have to wonder, don'tcha?
And just because somebody finds their bones and calls them dinosaurs, doesn't mean you can't wonder.
- Ralph Murre
click on photo for detail

Wednesday, February 06, 2008

Aw, Maisy


Aw, Maisy

How do I know you
when you change so fast,
when you grow right past
the little girl you were
when last I looked?
What sort of chef cooked
this bubbling kettle,
what metal can be worked this way,
what clay can smile and joke?
What flesh and blood from mine
brings a bloom to bud,
a flower opening over mud?
Is this the part where I
compare you to a bird about to fly?
Am I too late? Can a grandfather
ever state how happy and sad
are stirred inside when
a bouncing kid begins to glide?
Grow, my dear one.
Take a hug, friend; a kiss.
You can write the end of this,
I think. You can write the end.

- Grandpa Ralph

Thursday, January 03, 2008

Out There

photo by Nancy Vaughn


Look! Out there -
just at the horizon -
the ship that carries everything
I hope for
and everything I dread.
That slow ship
that was just a dot
in the mist
seems to head this way
with the wind at her back.

- Ralph Murre

Saturday, September 29, 2007

The Old Man


photographer unknown, probably Laura Murre
He'd have been 100 years old today, 29 September 2007, this prize-fighter/pacifist cowboy/carpenter. He was a good father. He was a good man. He's in a good place.
Perhaps fittingly, his death in 1999 gave birth to the writing portion of my life, when, the night before his funeral, I wrote this eulogy and spoke it at the service the next day:

A Short Eulogy For Arvin Murre
There's an old Shaker hymn that says " 'tis a gift to be simple, 'tis a gift to be free, 'tis a gift to come down where you ought to be..." I don't know if Dad ever heard that song, but it could have been written about him, because he was richly blessed with those three gifts.
To be simple: We've turned that idea around so it almost sounds like an insult. But Dad was wonderfully simple. He never wanted for more than he had; more stuff, more clutter. He showed us that it was a gift to have simple desires.

To be free: Anyone who ever heard Dad walking across the farmyard at five in the morning, whistling a tune of his own, knew that he was as free as the birds, who whistle their own tunes.

To come down where you ought to be... What do you think that means? I think, for Dad, it meant coming down next to Mom; next to Laura, the love of his life. He's with her now...free again and at home with the one he loves.

Dad never put much stock in words... "Words are but a breeze"...he told us. So what can we learn from a man who never said much? Let's think of what we never heard him say... We never heard him say " I hate so and so, or that group of people, or that race of people...or that religion." So maybe we can learn something about tolerance; maybe even love.

We never heard him brag. Although he was a great craftsman, and we know he was proud of his work, he never bragged about anything; just let his work speak for itself. So maybe we can learn something about humility.

We never heard him say "Oh, I couldn't do that” or “You can't do that."... He always found a way to do what needed to be done. So maybe we can learn something about self-confidence.

But, his greatest lesson can only be learned by following his example... and I'm speaking now to the men...he taught us what it means to be a father...and what it means to be a man. So, Thank You, Dad... for the things you said...and for the things you never had to say. Thank You for your Life.

-Ralph Murre




Friday, August 10, 2007

Passage from India!


Many of you younger readers won't remember this, but there was a time, shortly after the Beatles* left the side of Baba Ram Dass**, when he was visited by Bebe Rebozo***, who was in something of a quandary.
"Baba", said Bebe, "I have lost my way. I am clearly not a Beatle, but if I were, what advice would you have for me?"
"Bebe", said Baba, " I will tell you what I would tell you if you were not just you, but a Beatle, too: Bebe, you must simply BE Bebe!"
"But Baba," babbled Bebe, "I have forgotten how to just BE Bebe, and what's more, I don't know if I even want to be Bebe, Baba."
"To be Bebe, or not to be Bebe;" rebutted Baba,"that is the . . . (to be continued)

* Popular English Rock and Roll Quartet
** Garden Grown Guru
*** Friend and confidant of Richard Nixon


Sunday, July 08, 2007

A Song for Our Times





I really don't care - BABY IT'S HOT OUTSIDE
we'll turn up the air - BABY IT'S HOT OUTSIDE
the climate has been - BEEN HOPING THE TEMPS WOULD DROP
so very nice - I'LL HOLD YOUR HANDS, I'LL PUT THEM ON ICE
Al Gore has started to worry - I'M PRAYING FOR A SNOW FLURRY
Ralph Nader is pacing the floor - LISTEN TO HILLARY ROAR
I'm gonna learn to like curry - THANK GOODNESS THAT YOU'RE NOT FURRY
well maybe just one gas tank more - CRAWL IN THE FRIDGE AND I'LL POUR

we won't go out there - BABY IT'S HOT OUTSIDE
we won't need underwear - BABY IT'S HOT OUTSIDE
I wish I knew how - THE SIDEWALK IS MELTING NOW
to break this spell - I'LL DRAW A BATH, YOU'RE STARTING TO SMELL
I oughta say no, no, no sir - WE WON'T EVEN NEED TO KEEP THE TOASTER
at least I won't drive fifty-five - WHAT'S THE POINT IN STAYING ALIVE
I really don't care - BABY DON'T BURN UP
OOOH, BUT IT'S HOT OUTSIDE

BABY IT'S HOT OUTSIDE!

-Ralph Murre

Saturday, May 12, 2007

Laura



Was There a Poem

in her dark hands that milked cows and made lace,
hands that fixed tractors and wiped tears?
A poem in the dark hands
that built houses and kept them, that worked the earth
and folded to a heaven she was sure of ?
Hands that hammered out justice and
handed out calloused caresses;
those hands that labored at the piano,
but changed flat tires with ease?

Was there a song in her dark eyes
that laughed easy, but cried hard;
eyes that saw good wherever it hid?
Eyes that struggled in darkness
to read the verses and read them again
until she saw light in the words?
A song in the dark eyes that bid me welcome,
the colorless eyes that I bid good-bye?

Was there a portrait in her dark face?

- Ralph Murre