Starry Eve

on a new year's eve

always the same stars shining

and always

our search for more

- arem

A Toast

Simply brimming over with holiday spirit, so I propose this modest . . .

Toast

To the hackneyed heroes and the knock-kneed novices
(you know who you are),
to the youth carded at the front door
and the elders discarded at the back:
I raise my glass.

To the crap-shooters and the bull-shitters,
the card players and the played,
to the couple in the corner who are lookin’ to get laid:
here’s to ya’.

To the lonely,
to the lonely:
here’s to ya’.

To the one who’ll mop the bar-room floor
and the one who’ll clean the toilets:
salud.

To the blue-suited barristers from the blue-eyed ‘burbs
(there, but for the grace of God . . .),
to the cheerleaders and the cheerless,
to the peerless and the powerful
and the jury of your peers:
cheers.

To the ones who make the headlines,
to the ones who give them ink,
to the one who does the nursing
and the one who’ll fix the sink up:
drink up.

To the surgeons and sailors
and the ones who work high steel,
to the painters and the busboys
and the ones who beg a meal:
wind at your back.

To the one who lost a lover,
the one who lost some weight,
the one who got a boob job
so she could get a date:
here’s lookin’ atcha.

To the ones who take it easy
and the ones who never will,
to the ones who just can’t take it,
to the driver at the wheel,
to the driven, to the cattle,
the distiller at his still,
to the loser of the battle
and the miller at his mill:
may you find peace.

To the innocent:
may you find peace.

To the ones who’ll just get by,
to the bystanders and the glad-handers
and the terminally shy:
may you be blessed.

And to all the rest:
may you be blessed,
may you be blessed.

- Ralph Murre

. . . and to all a good night

Book Review

There's a new book on the shelf that I reserve for the fine work of my friends over at Cross + Roads Press. Not that I expect Saturday Nights at the Crystal Ball to spend much time on the shelf. Far too much good material to set it aside for long.

Poet Sharon Auberle, on the surface, tells the story of her mother's last days on this earth; that of a woman who danced her way through an uneasy life. Anyone who's ever lost a parent, or ever will, can benefit from the reading. Just beneath the surface, the writer finds other tales about to finally break into daylight: the story of a father who left early, in a time when that was the exception; the subsequent effects on the lives and loves of the author and her mother; the perhaps too quickly passed judgements all around; all told in the voice of an accomplished artist of the written word, and through it all, there is the dance. In "Spring Came Late That Year", we read:

Maggie danced
the night Edward left
whirling
her baby girl
about the kitchen
their mingled tears
spinning out
bouncing off windows
like the freezing rain
falling that night

and later, in Legacy:

What my mother left me
was not dancing shoes
or diamond rings
or bad luck with men

it was the way she stood
so straight
barely reaching my shoulder
but tall
on days when life
bends most people low

and that quickstep of hers
forward always
to music only she could imagine

Sharon Auberle is storyteller enough to find and relate what is unique in her life. She is poet enough to show us what is universal. She has deftly tackled subject matter that in lesser hands could have been maudlin, even trite -- but has triumphed in a way that elevates us. Her luck in collaborating with editor/publisher Norbert Blei assured an elegant book to stand beside the thirty others from his press. Blei's decision to reproduce pages from the author's journal, written in the days immediately preceding her mother's demise, was a brilliant one, giving us a very palpable connection to the writer in a time of vulnerability juxtaposed with great strength.

The book is Saturday Nights at the Crystal Ball, by Sharon Auberle, ISBN 978-1-889460-21-5, $12 from Cross + Roads Press, P.O. Box 33, Ellison Bay, WI, USA, 54210 and don't forget to slide them a couple of bucks for the postman & the packaging.

- Ralph Murre

Before the Ice

pewter and gold sky

over this mercurial sea

metal on metal

- arem

Good Horse

Snow Devils, with their whirling, dance
Winter down from somewhere North,
dance Winter down from somewhere.
Ah, Little Horse, with your cocksure stance,
ready to bravely venture forth
and dance me down to somewhere,
this is where I must be,
where the wind and the sea
and the sky dance down.
Where the wind and the sea
and the sky dance down;
this somewhere.

- Ralph Murre

Chris Aaron Band

Leadman finding

silver threads

among the blue

Baseman, thin and wiry

as the neck

of his guitar

Drum man, solid

laying back

for now, just for now

And now

Wailingman

oh man

Wailingman

wail

And now

oh

Sallyride

Sally ride Sally ride

in that hot light

in that hot night

where all you want to do

is rock

Sallyrock

Sally

rock

~ RM

In Praise of Hairy Beasts

You know how
there are a lot of creepy things
with more than six legs,
like the Rockettes
and centipedes and committees
and some, like worms,
without any at all,
and the way four-legged things
are usually all furry and stable
and don't move about
in disgusting ways,
so are not really that creepy?
You know how your Uncle Al and Dick Cheney
and the guy that ran the drugstore
in your little hometown
each have two legs,
but are still creepy as all hell?
Creepier than morticians or
even dead guys?
You know how creepy
the clothes were
that you wore as a freshman,
both in high school and college?
You know how creepy you were
to people of the opposite sex, sure,
but to everyone, really?
You know how creepy
your Plymouth Valiant was?
You know how
there are a lot of creepy things
without hair, like salamanders
and your Uncle Al and bowling balls
and the way tennis balls
are kind of fuzzy so
they're not quite so damn creepy?
Think about chihuahuas.
You know how creepy
it is to look at somebody's ears?
No, really look.
And yours have hair
growing out of them now.
You know how some creepy things,
like pimples, have creepy names,
but zits don't sound so bad
and some things,
like human resources departments,
are really creepy,
but sound pretty good?
You know how a lot of creepy stuff,
like long shorts
and tattoos and pubic shaving
and Harley-Davidsons,
seem to be o.k. now?
And the way you figure
maybe someday you'll be acceptable
too?
Yeah, maybe . . .
but if you're still reading,
you're probably
still pretty creepy.

- ralph murre

Moonrise La Veta

a look toward home

from across these thousand miles

my pale friend rising

~ arem

Where I've Been

Sorry about the long absence. I've been doing a bit of wandering: bodily, mentally, spiritually. Back soon in all three dimensions, I think.

What I was doing, have done, is the editing and publishing of the little beauty of a book pictured above, Bar Code, the latest from my Little Eagle Press. Big piece of work. Good work, I think. Poetry, prose, photos and drawings from a terrific bunch of contributors, some very well known in small press circles and beyond, some just beginning to get work out there, all telling their stories of bars, saloons, and watering holes around several continents. The cover art you're looking at, incidentally, is by the master, Emmett Johns, to whom I am forever indebted.

More about this project and others in the days to come, but I hope you'll contact me me at littleeaglepress@gmail.com or write Little Eagle Press, P.O. Box 684, Baileys Harbor, WI, USA, 54202 to order. ($15 + $3 S&H - and I will take personal checks until I get burned.)

Hurrah!

Hurrah!
Hurrah!
Hurrah!

The Light, Again

look back once again

this light upon this water

the call of islands

- arem

The Light

the light this day
has every leaf of the forest
crying for its beauty
every ripple on this lake
outshining the next
a far crow
fearing
the loss of his darkness

- arem

Bragging Again

Just have to say that I've made another brief foray outside of the (very) small press world with two of my poems published in the current issue of Wisconsin People & Ideas, the journal of the Wisconsin Academy of Sciences, Arts & Letters, available in a few big box book stores and a few real book stores around these parts.

play of light

the playful light

in these still waters

the dark below

- arem

By Night

Flying by night,
stars floating in waves above us
like the prairie towns beneath our wings
and our captain, silent,
so we may hear the soft lapping
of years against the bright metal,
the distant voices crying
I knew you, I knew you;
the gods chuckling at our passage.
Silent, so we may think of depths
and the fragility of our craft.

So we may think of
the lives down there in the little towns,
the folding chairs of meeting rooms,
the all-night laundromats and
the lonely folding of blue shirts,
the folded hands of the faithful and
the flags folded in neat triangles,
the here's-to-ya last call toasting,
the dreams of newsboys;
their red bicycles under the stars.

- Ralph Murre

first appeared in Free Verse

cool

of dark and light

these days of days

growing short

of lengthening night

and northbound shadow

this last-resort aster's bloom

an evening chill

---

the cool room

the cool room

the unfamiliar room

---

these blue walls

-ralph murre

Paradise Post

a dog is barking

impressions of paradise

crow and jay agree

- arem

From My Window

A young girl half-runs down this street
without sidewalks.
She sobs as she goes, a dark cloud
belying the sunshine color
of her dress. She is gone
but the street is damp with tears.
An old man prays for daughters
he never fathered.
Night is coming with its accusations,
morning with its forgiveness
and street sweepers.

- Ralph Murre

" prose invents -- poetry discloses" - Jack Spicer

In Labor

In Labor

So they let you off for Labor Day,
like the 4th, like Memorial day,
and you have a coupla beers and
you char something on the Weber,
maybe listen to a ballgame,
your team still in the cellar.
Your cousin Bob comes over
with his face-lifted tit-lifted wife
and the Gameboy twins.
Nobody talks about labor except
that of delivering the twins
and there's some talk of her working
on her tan.
Your dad was in the strike of '52.
They drive a new Infiniti. It's gray.
Also the big one in '56. All summer.
You pick some tomatoes and corn
from the garden. Get salt and pepper.
They talk about the food
at Aquavit and Blu.
Your grampa rode the rails
in '35 and '36, stole chickens.
They have to go. Country Day School
starts tomorrow.
Your gramma was in labor
in the back of a Ford in '38.
There's a union man talking in the park
just a block away. Nobody listening.
A skateboard goes by.
The plant will close in 3 weeks.
You fall asleep in a plastic chair
from China, a little tomato juice
on your chin, a lazy fly circling.

- Ralph Murre

islands

in this gleaming cove

don't they appear quite certain

those two little islands?

- arem