Blue Traveler

Steady, As Water

spring ice-out

the long lingered goodbye-ing

dusky dockside bar

Through air the color of the pigeons swimming in it (sulfur, foundry, tannery, coalpile, salt) and light as much from furnaces as from fluorescence in this backwater corner of a blackwater harbor, drunk with old wine and new love, the second mate swings up on deck; sleeps there. Tomorrow, there’ll be a farther horizon and, perhaps, a soaring bird without a name.

port-of-call

two perfumed letters

one from his wife

Sparse beard, watch-cap affectation, misfit among misfits, trickless coyote, would-be lone wolf, would-be sea dog; living and hating his dream, loving and hating its crew.  A woman here and there.  The threat of security, the security of the unknown.  Another day on the inland sea.  Another season.  The laughing gulls circling.

winter lay-up

irregular gait of sailors

friendly front street pub

~ Ralph Murre

VIII.

VIII.
I may go back to blues, back to blue-black times
when rhymes and little pills didn’t cure the ills.
Joy-killer realities, banalities like paying utilities –
but it’s so hard to paint in the dark – back to a fridge
of don’t-know glowing meats, rancid eats, few beers,
pickled herring, pickled beets, picking up the beat
of trash-can slam, picking up jobs of poor-I-am and
picking up women in good-night dreams, bad-night bars,
rusted cars in South-Side parking-lot wake-ups, staggering
to fourth-floor walk-ups, singing blue of our break-ups,
if we’re singing at all.
~ Ralph Murre

This is Verse VIII (if you haven't guessed) from my longish 15-verse poem, Psalms, from the book of the same name, still sometimes available from Little Eagle Press. Each verse is accompanied by one of my pen & ink drawings.

Of Desire

Wanted

That thing you wanted
Or I wanted you to want
That thing I gave

Was a little like the flower
I picked from the neighbors’
To give my mother and

That thing I wanted
Or you wanted me to want
I want still

Steal it if you have to

~ Ralph Murre

This one also appears in the Museletter, from the Wisconsin Fellowship of Poets

Another Time

Another Time, Maybe

Wasn’t there a time when it all seemed o.k.?
Mantel clocks faithfully wound, maternity wards
thriving, Montgomery Wards thriving,
a Ford in the garage? An occasional world war
or mob lynching, the atomic removal
of a couple of cities far away,
a case of Schlitz in the cellar?

Wasn’t there this background music,
a bearded man conducting a thousand strings
and Dinah Shore and a summer of cicadas
in a Hollywood Bowl of Cherries?
Wasn’t it just swell? And didn’t you get
that orange box of Wheaties with Eddie Matthews
when your dad got the job at the gas station
after striking for a couple of years at Kohler?

Didn’t you shine your little shoes and put on
your little suit and snap your bow-tie
on the white collar and look up
the skirt of the angel costume on the stepladder?
And how hard was it to swipe a pack of Luckies?
Wasn’t there a time when feeling-up the Schmidt
girl in her pointy little bra was pretty good?

And wasn’t it great to go to art school
and draw nude models and swipe packs
of Gauloises at the Knickerbocker? And
wasn’t it great when your brother
let you come along to a park and build
a fort with his buddies and then
that old guy drove up and was real nice
and wanted to see your . . .
touch your . . . Oh, that’s right,
you can’t remember that, can you?

And wasn’t it fun the time you and Billy
put sand in the fuel tank of that bulldozer
and busted the windows out of that cabin?
And wasn’t it cool when you didn’t get drafted
and got to mess around with chicks
who burnt their pointy little bras?

And wasn’t it nice when Ike, in his gray suit,
and Mamie, in her navy blue dress
with the little white dots looked up from golf
and told us everything would be o.k.?
Wasn’t that nice?
And weren’t her gloves just so white?

- Ralph Murre

note: The picture was found on-line and digitally altered. The poem is from my Crude Red Boat (Cross + Roads Press)

Writer!

My congratulations to everyone concerned at "The Writer" magazine, which, with the April issue, celebrates its 125th anniversary! What lasts a century and a quarter?

The fact that a piece of my work is included in this publication is a matter of some pride, and I am sincerely grateful to Marilyn L. Taylor for including my poem, "April", in her Poet to Poet column, where I am in the good company of Annie Parcels, Bruce Dethlefsen, and a few others you may have heard of, i.e., A.E.Stallings, Elizabeth Bishop, and Emily Dickinson. The column this time takes a look at narrative poetry.

My contribution:

April

In boots near new from blue-
walled Harborside Resale shelf,
through mud snow crocus snow mud,
April walks down the crow-caw morning,
the dog-sniff morning, gathering
graveyard plastic flowers displaced
by storm and faded by sun
as she’s done this time each year,
and puts every one around granite grey
with his dying and carved with the life
of her long-ago Eddie who married another,
who married another, then left
early in a Chevrolet roar
at a hundred and more in fourth gear
it is said, of his leaving,
as old men grieve and drink to the dead.

~ Ralph Murre

Going Taupeless

Spring is officially here. Isn't it time you painted something? And by "paint", I don't mean beige, taupe, or ecru. A bolder shade of gray. Paint comes in colors, too. Real colors. Isn't your neighbor vacationing this week? Wouldn't this be the time to start? His house or yours.

~ arem

'88

From that granite you might have used
to mark my gravesite, carve instead a
short column too small to support your
carefully balanced weights of worry,
carve an orb to bowl over the top-heavy
tenpins of your fear, or just chip away
at that stone in your search for truth,
‘til only gravel remains. Scatter it along
the path you walk each day, and that
little pain in your heel can be in memory
of me. It is as much truth as I know.

~ Ralph Murre

Dream On

And Yet

I have walked the broken surface
of your roads
and heard commerce rattling by
I have seen the raven
dodging Dodges and Kenworths
and Cadillacs for his meal

. . And I have dreamed

I have cried the sour tears
of your skies
and tasted the acid in the rain
I have seen the gleaming trout
gulping amid baggies and Bayliners
and bargeloads of hybrid bounty

. . And I have dreamed

I have listened to Sunday sermons
from pulpits
and heard your gods denied
I have seen the holy men
begging for crumbs from the table
and going unfed and crazy

. . And I have dreamed

I have known the laughter
of children
and seen them by the yellow busload
going to their lessons
and rehearsals and recruiters
and heard the laughing stop

. . And yet I dream


~ Ralph Murre

In the spirit of Good Used Poems, here's an old one, previously published in Soundings, in Clark Street Review, and in Crude Red Boat (Cross+Roads Press)

Going Down With the Ship

What unreliable vehicles are poems. Even the great ones rarely take you where you want to go. Poet and reader alike can only sit idly by, hoping for the best. I suppose the reader can jump ship though, at the first sign of trouble, while the writer, like the good captain, must ride her down. ~ RM

March Fourth

Remind me -- what classic text was it, that in part read,

". . . and we'll march forth, trailing arbutus behind us . . ." ?

~ RM

Just Moonlight

The moonlight behind the tall branches
The poets all say is more
Than the moonlight behind the tall branches.

. . . . . . . . . . . . . . .~ Fernando Pessoa

It is just moonlight, there
as a god is just a god
a hummingbird just that
with its ruby throat
tall branches not really
reaching for the sky
just the moonlight, there

. . . . . .~ Ralph Murre

My thanks to poet Barbara Larsen, who passed along the Pessoa quote.

Oscar

Joan, Juliie, and Juliette

There doesn’t seem to be a major award ceremony
for best daydreaming,
though I imagine long limos
and carpets in the streets
and, perhaps, Juliette Binoche
confidently holding my elbow.
As the giddy reporters recede
and camera men are beaten back,
( I modestly assume they’re focused on Juliette)
we settle into the thick plush
of the multi-tiered theater and
anxiously await Best Performance
in a Leading Role; Domestic Daydream,
Comic or Tragic; Male.
I am, of course, honored simply
to be mentioned in the same breath
as my rivals, and Sam Shepard
and Penelope Cruz hand me
the weighty statuette. Penelope, in congratulation,
( and a see-through gown cut down to here)
kisses me for an embarrassingly long time
which makes Juliette frightfully jealous
and I am speechless, except to thank
Walt Whitman and Mohandas Gandhi
and no one can explain why
Joan Baez and Julie Christie
rush the stage before I can be led off
to safety where I find that
I am in a laundromat;
driers slowly turning,
a light rain tapping the window.

~ Ralph Murre

previously published in Wisconsin People and Ideas

this rose

the day is gone

a garden of flowers closing

but still, this rose

~ arem

Will and Testament

Will and Testament

They’ll need to know this much – the two strong sons –
to know what, beside their flesh and progeny, I leave.
The jack pines I planted, I’ll tell them,
over a half-century old, those that survived
the first summer. It was dry.
But they’re sold with the ground
that holds your grandparents’ ash, I’ll tell them.
There are the boats I built, I’ll tell them,
the green-painted boats. But those are sold too,
I’ll tell them, with the sunlight on the bay.
And the houses, I’ll say, drawn and built
by these hands. And yours, I’ll proudly add.
Sold now, but think of the times we had.
The roof-beams and hell we raised.
And the poems, I’ll say, here are the poems.
Couldn’t sell those, I’ll tell them truthfully,
or give them away. Here – I’ve books of them, Boys.
Thin books, it’s true, with few words,
but they’re like new. Here are the poems.

~ Ralph Murre

Self-Portrait as Cliff-Diver

Self-Portrait as Cliff-Diver

you've seen our brass and bronze
plummeting
to the sea
our naked intention
that long leap from the known world
into her unknown arms
you've seen us climbing back
facing the edge
startling
all over again

~ Ralph Murre

SECOND REWRITE: the storyteller

FIRST REWRITE (rewritten) Well, O.K. SECOND REWRITE:
So I'm laid up a little, you might say, since I scuffled some with Eldred comin' outa Buddy G's 'round closing, what with the ice on the walk & all. Now, Eldred's a kind of an ass, but ever since Fat Allen's got missin' somewheres, he's the only one of 'em left, 'cept for Bickner. So Eldred feels kinda bad 'bout gettin' the best a me, or somethin', an he comes up t' my flat, gets me some supper. Brings pints of peppermint & blackberry. That's how y' know he feels bad or he'd a just brung Aristocrat. That's what he gen'ly drinks, cuz he thinks the name of it puts him somewheres in the upper crust. He even asked Little Bickner t' come over & that's who we figured it was at the door, thank y' Jesus, cuz Eldred's bin tellin' me some kinda tale ain't got no end to it at all, see?
He comes back in the room an' "Hey," he sez, "what was at th' door," he sez, "it ain't Lil Bickner, it was Magdalene. She sez come right now, Lil Bickner's hurtin' some. So I'll jez finish my story an' we . . ."
Well, I can't hardly say nothin'. but I'm tryin' to rise up from outa my chair, tryin' t' get Charlie L.'s old cane, what I won offa him, under me. Eldred sees I'm aimin' to go. ". . . yeah, but my story," he sez, "now where was I?"
"What happened to Little Bickner?!!!" I sez, in that kinda way where y' could see I wasn't just askin' t' pass the time.
"Oh, I dunno, Ralph" he comes back at me as he sits him down in that lazy boy I bought offa Suzy when Fat Allen got missin', "somethin' 'bout down th' block, somethin' 'bout that crazy fella down there, but hey, that ain't my story . . . doncha wanna hear th' end to my story? It's just Magdalene at th' door, it ain't Lil Bickner, an b'sides," he sez, "his story's bout over, sounds like."
Well, I can't get the damn cane under me nohow, so I settle back down. Pour me a little bitta that blackberry.

~ Ralph Murre

THE ORIGINAL:
hey
what was at the door
it ain't Little Bickner
it was Magdalene
she says come right now
Little Bickner's hurtin some
so I'll finish my story an we . . .
yeah but my story
now where was I?
oh I don't know
somethin bout down the block
that crazy fella
but hey that ain't my story
doncha wanna hear th'end
to my story?
just Magdalene at the door
it ain't Little Bickner
an b'sides his story's bout over
sounds like

Not a dream, exactly, but having just fallen asleep, I woke at two o'clock with this little monologue running around my head. I jotted it down exactly as I saw it, heard it, and went right back to sleep. I have no idea who these characters are, but if you know anyone named Magdalene and Little Bickner, you might want to look in on them this morning. ~ Ralph Murre

29

29 days, on a good year,

and there are so few.
Rhode Island of months,
but big enough
for the long shadows of ground hogs,
the scarlet heart of love,
the big, fat Tuesday before the lean
- big enough –
for the full face of the moon
to smile over at the climbing sun
- big enough –
to allow hope and to start seeds on window sills
- just the right size –
to stand between two-faced January
and surly March
- just the sort –
to shine a bit more light
into a dark corner
while trying to straighten out the mess
the others have made of the calendar,
as sap dreams toward upper branches,
and saps like me, toward spring.

- Ralph Murre

first published in the Wisconsin Poets' Calendar, a few years back

Something New, Something Old

Little Eagle's RE / VERSE

A poet wonders; after the little mag publication, after the chap book is misplaced, after the anthology is relegated to the back stack of the university library, who will ever see my poem again? My Little Eagle Press has just begun a new website to extend the lives of those forgotten poems. Only previously published work will be posted, only some of the best work of some of the best poets operating today. The site is just beginning on its mission, but you'll get an idea of how good it's gonna be by looking at what's already at http://littleeaglereverse.blogspot.com . Come back often. I think this one will find a place on your favorites list. You'll always be able to get there from the links list at this blog, too. ~RM

Fishing

In this strangest of all winters here in Wisconsin, where there is very thin ice indeed, at a time when it should be solid and safe, I drag out this piece I wrote back in '06:

Northern

I lead you out onto these preliminary lines
like an old fishing buddy
walking on the season’s first thin ice,
unsure we won’t slip beneath the surface,
gulping at the depth,
but certain this is the day for keepers,
gleaming in cold silver and gulping, too,
as they slip into the sky above their homes.
I coax you toward the center of this verse,
towing tools of the trade in a little sledge
that follows on faith,
bore a hole through the fragile freeze
where we wait, shiver, wait.
I try simile, metaphor, then rhyme for bait
and I talk of patience
and barely notice the nibbling of a thought,
now hooked and struggling liquid,
muscle and tooth and blood
this idea, hungry, as a lover takes a lure,
a snap, a relaxing,
and it’s swimming free –
this thing I’ll never grasp –
hooks torn from its legendary flesh,
laughter from its lips.

Smile at me, swimmer, smile at me.

~ Ralph Murre

And this morning, reading from Pablo Neruda's Memoirs, I came upon this paragraph, about a time he spent in Russia:
"The work of writers, I say, has much in common with the work of these Arctic fishermen. The writer has to look for the river, and if he finds it frozen over, he has to drill a hole in the ice. He has to have a good deal of patience, weather the cold and the adverse criticism, stand up to ridicule, look for the deep water, cast the proper hook, and after all that work, he pulls out a tiny little fish. So he must fish again, facing the cold, the water, the critic, eventually landing a bigger fish, and another and another."

BUILT

BUILT
(the song of an ancient architect)

Now that I’ve drawn the dreams, driven the stakes
destroyed deserts by division and development
crammed construction into corn-fields
built boxes in bean-fields
Now that I’ve penned the plans, fucked-up the forests
for fortune and foreclosure, plundered prairies
for profit, lost the lakeshores
Now that I’ve cantilevered cabins over cliffs and
hurried highways into hinterlands
Now that I’ve populated the pines
and peopled the pristine
Now that I’ve roofed-over the rural
Now that I’ve floored-over the flood-plain
Now that I’ve blueprinted the Blue Ridge
Now that my pencil
Now that my client
Now that the mortgage
Now that the bank
Now that the zoning
Now that the economy’s in the tank
Now that your hopes are diminished
May I rest? Am I finished?

~ Ralph Murre

Attempted Allegory

Aids to Navigation

On a fog-bound beach, a man teaching a boy to skip stones. And on the Western Sea, the elders looking back to this featureless shore where they hoped we would build beacons, where they hoped we would build fires in the night. Those voyagers, their little boats bobbing, cannot find the way back to the safe harbor of our Turtle Island. Something about ancient lessons, distant stars, something about mystery always repeating itself. The dusk is here. Oh, Mother, come back, I will build a tall lighthouse. Oh, Father, steer this way. And Son, skip your pebble well. Mark a channel for me if I should sail the Western Sea.

~ Ralph Murre

The photo is a detail from a bronze sculpture I saw in Buenos Aires. I do not know the artist. It seems, somehow, to work with this little poem. ~ RM

Its Flavor

There used to be a popular, but bizarre song which asked, "Does your chewing gum lose its flavor on the bedpost overnight?" Well, in recent excavations here at the old Murre digs, I came across the little poem shown above, which was written quite awhile back, on the inside of a chewing gum package, which must have been the only paper in my pocket at the time. For me, it doesn't seem to have lost its flavor. ~ RM

Look!

Look! Out there –

just at the horizon -
the ship that carries everything
I hope for
and everything I dread.
That slow ship
that was just a dot
in the mist
seems to head this way
with the wind at her back.

~ Ralph Murre

Between

deep in the glen of winter
somewhere between this year
and that, a quiet chuckling
as clever time and stream
mock the fury of man
and permanence of rock
the joke they share
takes forever to tell
but there's no hurry

~ ralph murre

Just Because

Because they're young and short
and in parents' old robes,
are they less wise, these travelers?
Because her wings are cardboard
and a stepladder holds her aloft,
is she not an angel?
Because the star is of gilded paper,
is this not Christmas?

- Ralph Murre

Post # 500; Nearing Solstice

Yes, this is the 500th post here along the Arvinson Road. Heavy fog all the way, but I'd like to think that it's been a journey worth making, so far. Please have a look around the archives and see if you agree.
Now, in light of (or in dark of?) the coming solstice, I'll lay a piece on you that many have seen or heard before, and which we'll all soon be as tired of as we are The Little Drummer Boy, but a few people have told me they love my seasonal sermonette, so, pa-rum-pa-pum-pum, here it is:

In Dark December

Whatever you believe,
whatever you do not,
there are sacred rites
you must perform
in dark December.
Do this for me:
Pull together
the kitchen table,
the folding table,
and that odd half-oval
usually covered
with bills and broken pencils
and red ink.
Pull together family and friends,
cool cats and stray dogs alike.
Turn off everything
except colored lights,
the roaster,
the toaster, the stove.
Cook. Bake. Eat.
Yes, even the fruitcake.
Eat, crowded around
those assembled tables
with mismatched chairs.
Reach so far
in your sharing
that you hold the sun
in one hand,
the stars in the other,
and no one between is hungry.
Now walk together,
talk together,
be together
on these darkest nights.
Give and forgive.
Light candles and ring bells.
Sing the old songs.
Tell the old stories
one more time,
leaving nothing out,
leaving no one out
in the long night,
leaving nothing wrong
that you can make right.

~ Ralph Murre

of a certain age

Can we still write love poems
when the triumphs of our G.I. tracts
are more heralded
than the hunger of our hearts?
Neruda could not have written The Captain's Verses
under the gaze of nurses, but at the end of life
he said to Mathilde,
"It was beautiful to live
when you lived!
. . . I sleep
enormous, in your small hands."
and maybe that's where
the real love poem began.

~ Ralph Murre

Above the River

On that slope above the Rio Grande
two cows in a New Mexican sunset
their long shadows grazing
on the last stems of daylight
our little car rolling toward tomorrow
and everything made of gold

~ Ralph Murre

and thanks again

photo by S. Auberle

On a Tuesday, I guess it was, m'pardner & I rode down Deuce of Clubs Avenue and right into Show Low, when out of the clear blue Arizona sky I began t'feelin' a mite uneasy. Too many good eats, we reckoned. Tethered the horses 'n' set up camp at the local Holiday Inn Express. A sleepless night led to morning light which revealed my already ample belly swelled to about double its normal size and me, some kinda UNcomfortable.

Well, we saddled up and made the short ride to the nearest emergency room, where they shoved a tube up my nose & down my throat, which had roughly the same effect as we'd get stickin' a bloated cow -- it ain't all that pretty, but it works. Then they proceded to take a bunch of high-falutin' photos of my innards. An obstruction of the bowels 's what they showed. Surgery 's what I needed.

Now, I gotta thank some folks who made it possible f'me to be home alive 'n' writin' t'y'all today: first, the ER staff of Summit Healthcare, then, Dr. Burke De Lange & his ace surgical team, and then, the entire Summit Nursing & tech staff, all of whom must have come from up around Lake Woebegone, 'cause they're ALL way above average.

Thanks, too, to the several of you who caught wind of these developments as they unfolded and kept me under the cozy blanket of your prayers, your good thoughts, and your good vibes. Much appreciated, all around.

The biggest "Thank You", though, is reserved for m'pardner and friend, who mostly dragged me to the hospital and then hovered for a long week, like an angel with wings of light. Thank y'kindly, Miss Sharon.

~ Ralph Murre

Thanks

Thanks to The Night

thanks to the night
for showing her moon
thanks to the morning
the late afternoon
for the long shadow
that makes you tall as your dreams
thanks to the schemes of twilight
the novel and ancient ideas of streetlights
revealed in their glowing cones
thanks to the bones of your ancestors
for the little you
thanks to the dewy flower
the clock in the tower
for not taking this moment
thanks to the sea for blue

- Ralph Murre

And thanks to all of you for looking in.
Now, I'll be out of Blogland for a couple of weeks.
Later,
~ arem

EL

chicago window
el train slicing grey morning
someone's life inside

~ arem

Guess what! More of my work, indeed some of my life, is featured on Poetry Dispatch! Forgive the overt enthusiasm, which is not my usual way, but this is a big deal for me. Please have a look at http://poetrydispatch.wordpress.com/2011/11/13/ralph-murre-crude-red-boat-psalms-the-price-of-gravity/

Staggering

To that ancient white-tail buck we saw Saturday, south of Manitowoc, who is almost surely somewhere else today. You touched us deeply, Old Deer. (He's hiding in plain sight in my drawing, above.)

Great Stag, staggering
beneath weight of your years
told in antlers
weight of injury or infirmity
told in your gait
come down through that grass
this light
this November light

Cross the county road
yes, yes
cross and stumble a last time
to drink a last cool drink
of Lake Michigan
of this gold and silver light
Safe home
Old Father
good night

~Ralph Murre

LETTER

An Open Letter to My Grandchildren

Hi, Kids ~

I’m not sure what your parents may have told you about some things, so I am writing to set the record straight. I do not want you to grow up without knowing the whole truth. For instance, why does Grandpa always seem to want a nap? The simple fact is that I am still very tired from the hard work I had to do as a boy. You know we had no PlayStation or GameBoy. We would build stations to play, but then they invented the railroad and they took our stations for that. We would catch wild boys in the forest hoping to play games with them, like maybe checkers, but the checkerboard was still just a distant dream of scientists, so our game boys would grow up and sell insurance or real estate, and we’d have to start over.

Of course, as you know, we had no TV. The letters “T” and “V” had not yet been thought up, which was true of most of the alphabet. We just called them our ABC’s, because that’s all we had. You could call a cab, but that was about it. And cabs were too expensive, so we had to walk everywhere. No, we had no TV, but we did have radios. The trouble with those early radios, though, was that they were steam-powered. If I wanted to listen to hear the weather report, let’s say, to see how many feet of snow I would have to walk through to get to school, I needed to get up at 3:00 AM to gather wood to build a big fire in the boiler of the radio, so there would be enough steam pressure to get a report by five o’clock. At this time, the rest of the family would arise and they’d all sit around the radio to warm up, while I’d make their breakfast.

Then, before school, it was time for my paper route. I would deliver the morning newspapers to all the people of the town, shoveling the sidewalks of the elderly and looking in on the infirm, many of whom I would nurse back to health before seven by butchering a chicken and making a nice kettle of soup with dumplings, which I liked to serve with a little arugula salad on the side. When I had time, I would do a few loads of their laundry and tell entertaining stories while I packed nourishing lunches for their little children. My schoolmates and I would have a few simple chores before classes could begin, but nothing much. Re-shingle the roof if it looked like rain. Install indoor plumbing. Re-decorate the teachers’ lounge. Things like that. We’d study hard for twelve to sixteen hours and head for home, after sweeping up and mopping the floors and getting fuel for the next day’s heating.

Back at home, I’d usually eat a cold supper while doing four or five hours of homework and I’d be ready to crawl into bed right after stitching up a few quilts to keep my brothers warm.

So, now you know the way it was.

Your loving grandpa,

~ Ralph Murre

Another Season

From Water

If you've slid
over frost-glazed strand
and rowed that shade of blue
past mapled crimson
in the cove she was moored,
if she rose and fell with a sigh
because the season
had grown thin as promises,
then you know, don't you,
something of life
and a little about death.
If she's cast rainbows
in the spray
and moaned with the lust
of wind and sea,
then you know something of dreams.
If you've taken her from water
and hid her away for the long winter,
you know something of sorrow.

~ Ralph Murre

I Tried

I tried to read the work of a poet,
but found he was not ready for me.
I’ve put his book aside
to give him time to prepare.
Perhaps, when I next take him
from the shelf, he will have
swept up and made the beds.
He will have weeded the gardens.
There’ll be freshly cut flowers
and the aroma of baking bread.
Perhaps he’ll offer me a
comfortable chair before launching
into his long and lofty talk.

~ Ralph Murre

an old one, first published in Free Verse (#81) and then in Other Voices (Cross+Roads Press)

a thought upon moongazing

my heart is about

the size of my fist

they tell me

but it holds more

doesn't let go

~ arem

Very excited to say that one of my latest pieces, "Stitches in Time", now appears (17 Oct.'11) on Norbert Blei's Poetry Dispatch in some very fine company. If you are not a regular follower of this compendium of all things poetic, you are missing one of the real wonders available on the internet. Check it out and tell me if I'm wrong. http://poetrydispatch.wordpress.com

Darkroom

Darkroom

I am feeling around
in a darkened room
trying to find
something sound
in my writing, art, life.
Sometimes a light
flashbulb brief and bright
illuminates the scene
but blinds the sight.
Did I catch a glimpse
of something real?
and did you see it?
and what does it mean?
and can it be right?

~ Ralph Murre

WIND

Like this morning, crazy with wind

Or just the other day, the bad roads
Even that time, and maybe it was long ago
When we all danced in circles

Take last night, what you said
Take the fire in the ring of rock
Take sun and rain, finally
Pulling frost from earth. A garden

Like falling in and out and in, again
Since the beginning and until
We are very, very old and
Maybe falling in and out, even then

The seasons, I mean, the leaves
The greening and the turning to gold
The rush of it like the sea pulling
The ice and streams of high mountains

Think of that water in the Pacific
Or the rain in Spain if you prefer
Or the little cloud that you are, driven

Like this morning, crazy with wind

~ Ralph Murre

first published in Verse Wisconsin and susequently in my book The Price of Gravity (Auk Ward Editions 2010)

after noon

good afternoon:

a woman in a chair

smiling her smile

~ arem

just ducky

minus orange feet

it arrives at my table

a l 'orange

~ arem

-

I must admit that I found the original photo of the duck on-line, and the photographer was not credited. I then did a bunch of processes to arrive at the digital duck seen above. Not certain of the ethics in this sort of theft . . . but, if it's your duck, thanks! ~RM

'round midnight

catastrophic

and hopeful

as midnight

what you did

or didn't

what you might

~ arem

Workers? Are there still workers?

In Labor

So, you’re still working, but they let you off for Labor Day, like the 4th, like Memorial day, and you have a coupla beers and you char something on the Weber, maybe listen to a ballgame, your team still in the cellar. Your cousin Jimmy comes over with his face-lifted tit-lifted wife and the Gameboy twins.
He drives a new Infiniti. It's gray. Nobody talks about labor except that of delivering the twins and there's some talk of her working on her tan. Your dad was in the strike of '52. Also the big one in '56. All summer.
You pick some tomatoes and corn from the garden. Get salt and pepper. They talk about the food at Aquavit and Blu. Your grandpa rode the rails in '35 and '36, stole chickens. They have to go. Country Day School starts tomorrow. Your grandma was in labor in the back of a Ford in '38. There's a union man talking in the park just a block away. Nobody listening. A skateboard goes by. The plant will close in 3 weeks. You fall asleep in a plastic chair from China, juice of summer harvest on your chin, a few clouds gathering.

~ Ralph Murre

Your Barred Window

In This Prison

I would be a blade of grass
near the wall of the yard
moisture of tears would nourish me
and I would give you my green

or a sparrow on the ledge
of your barred window
you wouldn’t need to feed me much
a few grains of your thoughts
and I would chirp
tales of the outside world

or a blue notebook
in the corner of your cell
I would offer a white page each day
and I would hold what you say
‘til you’re ready
to tell everybody else

because I don’t think you’re the type
to do much writing on the wall

or I might be a hacksaw blade
baked into chocolate cake
or a giant yellow bulldozer
carelessly left in the cellblock
ignition key in place

or maybe I would be the day
they realize their mistake
and set you free

~ Ralph Murre

An old one, first published in Free Verse and subsequently in my book Crude Red Boat (Cross+Roads Press 2007).

Locked

Learning Fractions

The urge to unite – beyond the biological,
beyond the congress that continues the species –
can be explained: there’s shelter and comfort
and good cooking and conversation.
Division is difficult, though, never mind
the cold feet. The becoming one-half of
what was one, the undoing what was done.
Parceling out the goods and goodness
fifty/fifty, or drawing and quartering
the bookshelves’ perfect order. The music –
my Unchained Melody, Your Cheatin’ Heart –
no, that was mine, this yours.
An old copy of Que Sera, Sera.
Now close and lock the doors.

~ Ralph Murre

and now, a story

The Language

So this medium-sized black bear walks into a bar (Lyle’s Dugout, just behind the ballpark, on 17th) and the bartender asks, “What’ll you have?”, and the bear, Lucien, orders a shot of blackberry brandy and a Hamm’s beer chaser. They get to talking, the bear and Rod, the bartender. Small talk at first, sports mostly. It depresses Lucien, who is upset about teams named for animals, particularly The Bears. The Cubs. He hates Chicago anyway, especially since a cop once roused him when he was trying to hibernate in an underground parking garage down near the Art Institute. “You’ll never catch me in that town again,” says the bear, “at least not in autumn.”

Rod sympathizes, being a Packer fan, but warns under his breath that his boss was born and raised in the Big Windy, and will tolerate no talk against it, no matter your species. “He threw out a lion just the other day for a remark about Mayor Daley. Hmmm . . . I dunno which Mayor Daley.”

“Well, I’d better drink up and get out then,” says Lucien, but Rod explains that Lyle’s in the back room, doing his books, and couldn’t hear over the music anyway (a polka, In Heaven There is No Beer, by Frankie Yankovic). He returns to polishing a few glasses and the bear moodily nurses what remains of his draft. Eventually, he asks for another round and says, “Tell me Rod, your people came from where? Poland maybe, Germany, the Czech Republic?”

“Oh, ya. Danzig, or Gdansk, or whatever the latest bunch in power decides to call it.”

“And you can speak the language?”

“No. Hell no. A dozen words, maybe. My grampa and gramma, they came over and they could speak a coupla languages, but no English. And then my pa, he wanted nothing to do with the old ways. The war and all. Nope – of course, I can cuss and ask for a few kindsa food – but that’s about it.”

“Yes. And you’ve got kids?”

“Five; mostly grown. And two grandkids already. Here, I got pictures.”

“Any of the kids know the language at all?”

“Just my daughter, Katrin. She learned in college, and then went to the old country for a semester. Looked up some family. There’s a lotta books . . .”

“That’s just it,” Lucien sighs deeply, as bears will, “there are a lot of books. Yours is a written language, rich in literature. You can skip a couple of generations and your kids can just go back to it any time they want. Learn it in college. Get credit, even.

“A bear, on the other hand, has only an oral tradition with which to connect. In this part of the world, we too felt the pressure to fit in. A lot of us chose not to be jailed in game preserves. Eventually, we stopped telling the old stories in the old language, and now there’s almost no one left who can teach our children, and many want to learn, want to say ‘I Am a Bear!’, but haven’t the words. A sad thing, and like you and your father, I am partly to blame. For too long, I tried to deny my Ursine nature, my very Bearness.

“Ah, but I gotta go,” says Lucien, standing to leave after a long pause, “baamaa pii.”

“Ya, later,” answers Rod, wiping another glass, “do widzenia.”

~ Ralph Murre

Quixote at Sea

photo by S. Auberle

So, after too many years off the water, but still thinking of myself as a sailor while riding my faithful motorcycle, Rozinante, I find a boat with the name Dulcinea emblazoned on her shapely stern. She's for sale. I buy her cheap. Last few nickels; a fixer-upper. I fix her up. All as it should be.

Together At Last
(a tale of quixotic satisfaction)

The moments are all around us
Momentous moments monuments of moments
In the water on the water of the water
My Dulcinea and I through the thick of the thinning moments
Sailing white on dark days and shadowy in sun
Ahhh the beauty and richness of our poverty
The wealth of our watery soup
The flavor of it in my little tarnished spoon

~ Ralph Murre

Sour Grapes?

Contestant

And at times in my heart there is a music that plays for me.
~ J.P. Donleavy

Yes, you too? You’ve heard it? Sometime snare of drum, penny-whistle, nickel-plate, quarter-note? Hum a few bars of a new tune; bring in a viola d’amore to this baroque adagio – unbroken, unbeaten, to play a song for a new season. It may be as well not to enter a poetry contest, a dance contest, a salon d’art.

clean-shaven young man
harsh light of the arena
the expectant crowd

Is it treason to suggest that in his condition blind ambition is deafening the inner ear? Competition is not improving the species, but robbing it of its art? Is it wrong to think that if he listens, if he hears that music deep within he can begin, at last, to write the score, to pen a few notes on a clean page? Is it outrage to suppose that not everyone has heard this rhythm, not everyone goes dancing to the same beat? Wooden hearts clicking like castanets for clay feet?

climbing the stairs alone
an oddly-dressed man speaking
another language

~ Ralph Murre
Sure, it's just a case of sour grapes, isn't it? After all, three pieces of my short fiction just went without notice in a competition. Yet, I'm not sure . . . earlier this year, I served as a preliminary judge for a prestigious poetry contest, and realized that someone with something truly original to say - or with a truly original way of saying it - would have a very difficult time. However, I put such a piece forward and it wound up winning the contest. So, am I putting down the idea of arts contests? No, I simply don't think they do much to engender the creation of anything new, and I think that's largely because most of the entrants don't want to take risks. Someday, we'll get into the discussion of the NEED for anything new, the NEED to take risks.

To Your Health

Love strong and fierce and long as you can;

the heart is a muscle, and needs exercise.

~ arem

Weighty Issue

The Price of Gravity

How much of this life do we own?
Payments are always coming due.
We are the ones who signed the papers,
but there’s something more,
there’s something that can’t be helped.
You and I look different
than we did in morning light.
Now we wade in lead boots
and gather no speed
away from this dead center,
or toward something brighter.
Which is to say away from here,
where the embers have dwindled.
Which is to say we can fly only
with the creatures of dreams,
if we can fly at all.
The dreams will become family,
the dreams will become clan,
scattered like dust among stars
in the cages of our ribs,
in the cages of our cries,
in our breath in the night.
Sometimes the dreams may be of falling
and cold earth rushing to us,
but, travelers now,
they’ll call us travelers,
amid the dust
and the stars
where we’ve known the dark eclipse,
and we’ve flown with
those creatures of dreams
between galaxies.
We won’t be in lead boots
once we’ve started to dream.
We’ll no longer make payments
on things that hold us down.

This is not the end of this poem --
something pulls at us forever.

~ Ralph Murre

This piece was first published in Iconoclast, and subsequently became the title poem for my latest book. (Auk Ward Editions 2010, littleeaglepress@gmail.com )

Reminder: as with all the graphics on the site, you can see the drawing in full-size by clicking on the image.

Inside Passage

I’m not saying heart of darkness, exactly,
but there is an un-named river descending
from a midnight in each of us,
an unlit flooding where no one dares.
There is an hour the bell does not toll.

~ Ralph Murre