Oh, thanks - nothing to it, really - I noticed a little area of a digital photo I'd made of a river rushing through a chasm of rock, and thought that if I turned the little area upside-down, I could see a face in it, which wasn't really true, but then I saw that the base of the rocks looked like a mountain skyline and the roiling water looked something like a stormy sky, so I digitally started playing with the hues until it began to look kind of convincing and then, of course, I ran it through a filter called "color pencil" and then one called "watercolor" and then I did something with a digital airbrush set at about 75% transparency with a few sky colors and then I thought "hey, this is kind of cool, but it's not really interesting since you might not have the same perspective on the thing that I'm imagining", so I cut a picture of myself out of its safe, flatland Wiconsin winter background and I ran that through colored pencil and watercolor filters and re-sized that image and the backgound image a few times before they married-up the way I wanted to force the viewer to accept the perspective I envisioned and that was about it.
what jakota said... i wish i had your ease and familiarity with photoshop. i paint but i would like to then digitize and manipulate images... and there is only so much time, and so much energy to spend, and so many directions calling
Ralph Murre is the author of "Crude Red Boat" and "The Price of Gravity, both books of poetry; author and illustrator of "Psalms", a book of poetry and art, co-author, (with Sharon Auberle)of "Wind Where Music Was", a book of poems of experience, and he is editor/publisher of several books of prose, poetry, photography, and drawings from Little Eagle Press, which he founded. Ordering information for these books is available from
littleeaglepress@gmail.com , as is information regarding this site.
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NOTE WELL: (c) ALL CONTENT OF THIS SITE, BOTH VERBAL AND VISUAL, IS THE COPYRIGHT PROPERTY OF RALPH MURRE, UNLESS OTHERWISE CREDITED.
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4 comments:
cool (literally) photo! How did you do it?
liked the haiku too...
Oh, thanks - nothing to it, really - I noticed a little area of a digital photo I'd made of a river rushing through a chasm of rock, and thought that if I turned the little area upside-down, I could see a face in it, which wasn't really true, but then I saw that the base of the rocks looked like a mountain skyline and the roiling water looked something like a stormy sky, so I digitally started playing with the hues until it began to look kind of convincing and then, of course, I ran it through a filter called "color pencil" and then one called "watercolor" and then I did something with a digital airbrush set at about 75% transparency with a few sky colors and then I thought "hey, this is kind of cool, but it's not really interesting since you might not have the same perspective on the thing that I'm imagining", so I cut a picture of myself out of its safe, flatland Wiconsin winter background and I ran that through colored pencil and watercolor filters and re-sized that image and the backgound image a few times before they married-up the way I wanted to force the viewer to accept the perspective I envisioned and that was about it.
Now the haiku . . .
I loved this post -picture and haiku - as much as I loved how you answered Sharon's question!
what jakota said...
i wish i had your ease and familiarity with photoshop. i paint but i would like to then digitize and manipulate images... and there is only so much time, and so much energy to spend, and so many directions calling
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