In Labor

In Labor

So they let you off for Labor Day,
like the 4th, like Memorial day,
and you have a coupla beers and
you char something on the Weber,
maybe listen to a ballgame,
your team still in the cellar.
Your cousin Bob comes over
with his face-lifted tit-lifted wife
and the Gameboy twins.
Nobody talks about labor except
that of delivering the twins
and there's some talk of her working
on her tan.
Your dad was in the strike of '52.
They drive a new Infiniti. It's gray.
Also the big one in '56. All summer.
You pick some tomatoes and corn
from the garden. Get salt and pepper.
They talk about the food
at Aquavit and Blu.
Your grampa rode the rails
in '35 and '36, stole chickens.
They have to go. Country Day School
starts tomorrow.
Your gramma was in labor
in the back of a Ford in '38.
There's a union man talking in the park
just a block away. Nobody listening.
A skateboard goes by.
The plant will close in 3 weeks.
You fall asleep in a plastic chair
from China, a little tomato juice
on your chin, a lazy fly circling.

- Ralph Murre

islands

in this gleaming cove

don't they appear quite certain

those two little islands?

- arem

sea story

funny, but
on the sunny
on the sunny
siding of the sea
you & me & jib &
gollywobbler set & filled
skimmy over skimmy
over wavy under-sea
a second story
and the roary wind
a blowin'
t'gallant ribbons
blue like prizes
all the sizes are assorted
on the foamy and the briney
and the tiny tiny ocean
'neath the keel.
a feelin' of a breeze
and of jesus on the seas
salts & tars awatchin' stars
and aprayin' on their knees
and the ladders to the pulpits
climbed by climby climby culprits
always gettin' closer to the top.
& the masthead's cuttin' slices
in the blue of skyward ices
and how nice is baggywrinkle
from the sternpost to the sprit?
the dark is darkly comin'
and the white foam is afoamin'
and the roamin' are ahummin'
of the comin' of a storm
in the early bleary bleary
and they're gettin kinda teary
in their warnings
in their warnings.
and the morning's comin' red
and the sailors in their dread
are eatin' weevily rations
and their passion's
are awaitin'
in the crusted shoreside bars
and the stars are twinkly twinkly
and the ink is flowin' wrinkly
on the tinkly tinkly page
as the sage is keepin' quiet
about the diet and the grog
and i watch it all a happenin'
in a puddle on the bog.

- ralph murre

far from home?

# 300

Here I am, posting to this blog for the three-hundredth time. Perhaps it is appropriate that this is a moment at which my life has taken a turn and I will be without my regular internet connection for a while. I will still try to post, when I can, from some other locale, but I'm afraid I won't be able to include any visual images for now. Maybe it will make a better writer of me. When I began this endeavor, I had no idea where I'd go with it, and still don't ~ but if you take a look back through the archives, I think you'll agree that we've come this far along an interesting path.

in the mail box

just a postcard

with no picture

- Ralph Murre

Enough?

a shanty

big enough to write

a river

- arem

About Hidden Things

It's the way you could no longer

hear the train on its rails

in the far off of the night

and the rain, it's the way

the rain sounded on that roof,

cooling summer.

It's the book you'd start again

each time, 'til you'd sleep.

It's the way you could sleep.

It's the way rusted iron

and old boards hid things.

It's about hidden things,

I'm pretty sure, and the way

you wanted to show somebody

the bright thing you found,

the way you were sure you could

fix it up and make it work again

and the way you thought you might.

Or,

it may be about hearing another train

at first light.

***

- Ralph Murre

A Day In July

A Day in July

Why do I think of you two, now?
This hot day and your bones in cool loam
so long, it seems.
You, twins and I, a third musketeer
as we careened
through hot summers before.
Working . . . drinking.
You taking me from white bread
to fry bread.
I hear the council drum.
Working . . . drinking.
It’s concrete work. Building a bridge.
Old man Bultman driving us like slaves
that summer hot as this.
Working . . . drinking. Week-end
pow wow at Shawano and I, dating your sister.
Your dad, old Esau, quiet.
Liking me O.K., ‘til then.
And my ma - looking pretty liberal, ‘til then.
And me, backing off.
Less work . . . less drink . . . less sister.
And she to Alaska and you
working . . . drinking –
earning so early your places to settle down
in the cool of the earth.
And I,
unable to hear the drum,
do not weep.

- Ralph Murre 2005

from Crude Red Boat, Cross + Roads Press 2007

of pick-ups and prostheses

It’s not like I know you or anything,
but right now, I’ll bet you’re hoping
this is going to be the kind of poem
that talks about riding in the back
of my daddy’s Ford pick-up,
or the kind of poem that’s
about the peculiar odor
of my maiden aunt’s bedroom.
I’ll bet you’re really hoping
this will be about the way
autumn leaves remind me
of love in the woods, or
the way lying in a hammock
with you would be perfect (but, as I said.
it’s not like I know you or anything).
And, ohmygod, I’ll bet
you’re really, really hoping
this is NOT a poem about
the horrors of war, because
where in the hell is the poem in that?
Perhaps you’re hoping
it won’t be a poem at all,
maybe it will be a church bulletin
or a discount store flyer and
maybe it won’t be the poem
that mentions wars
and death and bad presidents
and shining prostheses.

Maybe, sometime,
it won’t be that poem.

- Ralph Murre

Overwhelmed

Got Away

Pretty Sure

Like any other fisherman
in a schnapps and Blue Ribbon bar
by the river,
he talks of the one he couldn’t catch -
a girl elusive as Dolly Varden trout.
He spends his pension on bourbon
and Budweiser, corners who he can,
tells of the one who broke the surface
in a silver rainbow spray
and got away,
the arc of her flight still in his eye,
the hook still in the angler’s mouth
as he watches the sidewalk stream,
praying for one more glimpse,
pretty sure she’s not a fish story
told in a bar by the river
with dull-eyed trophies on its walls.
Pretty sure she’s still in these waters.

- Ralph Murre

in the garden

these dark blooms

past, present and future

the circling bee

- arem

Haibun Today

This is just to gloat over the fact that my work is to be featured at http://www.haibuntoday.com/

among bricks

among bricks

i sense beats beaten senseless, this immenseness
holding mere echoes of former cells, wisps of smoke
of former hells and, lately, scents of latex, spandex,
nomex, romex, and tex-mex. ex-lovers and ex-pats
eating corn-chex, this immenseness not near the size
it used to be, when it just held two or three of us
reading cross-word puzzle morning news, tea leaves,
nazis killing jews, nancy into sluggo, adams into eves.
just when i think the beat can’t go on, another regains
his feet, chases protons across the sub - urban lawn,
loses jesus and brain cells, drinks cribari ‘til dawn,
fawns a dew-covered lover, sees the dark ascending.

i sense beats beaten, poison meats eaten. i repeat,
seize the dark if they’ve taken all the light, why
fight ‘em if they could be slightly right, but you can
take what they don’t use, poor excuse for cities
left behind, these towns could have some style,
maybe painters and their models, heavy drinkers,
thinkers for a while ahead of the wrecking-ball.
then they’ll build some condos for nine-to-fivers,
some parking for the barking-dog audi drivers,
some galleries to show the artists driven out,
the rout complete, waiters on buses, three-piece
realtors selling the bricks right out of the street.

i sense beats beaten senseless, defenseless against
bankers & wankers & painted women with mba’s.
i sense the dark of nights and a lonely trumpet plays,
a lonely pen scratches through light of live-long days.

- ralph murre

among bricks first published in The Cliffs "Soundings" 2007

. . . these truths to be self-evident . . .

he wobbles along
his blue bicycle leaning
on its training wheels

- arem

Ascension

And the canvas waits
for her pale body
the way I’ll paint her
and the flake-white bed
she’ll be rising from

- Ralph Murre

reconsidering

and when he said let there be light

it is not certain

who he was talking to

but he stained the glass of the churches

so not too much could get in

'cause he decided he liked it dark

after all

and so he couldn't see out

'cause things were going wrong

just outside

and he made the stained glass pretty

so we wouldn't take our eyes

off of it

'cause he didn't want us looking around

too much

'cause things were going wrong

inside, too

and when he said let there be light

he didn't mean to reveal

everything

-ralph murre

So Long, Old Friend

The Great Man, Paul Sills, has left the room. Friend. Director. Stern task-master. Lover of life. Father. Husband. Improvisational theater, as we know it, would simply not exist without him. Co-founder of Second City. Godfather of countless theater experiences. Worked with Nichols & May. Worked with Woody Allen. Knew how to fire up a woodstove in a Wisconsin winter farmhouse. Liked a nice glass of beer. Liked a good book. Taught me something about acting. Taught me something about life.

Paul Sills has left the room. Paul Sills will never leave the room.

- Ralph Murre

Please read all three pages at http://mobile.chicagotribune.com/news.jsp?key=162173

pelican brief

column detail: Frank Lloyd Wright

alone not alone

with that book of history

over our shoulders

- arem

links op rechts

The sharpest-eyed may have already noticed a couple of new links in the right-hand column, but for the mortals in the crowd, let me point them out:

You should be aware that anything put together by Norbert Blei and the mysterious Monsieur K. will be worth following diligently, and Basho's Road is exemplary. Dedicated to haiku and other short poetry, the site is beautifully done and will certainly be an education. Watch it like a hawk.

I am also mightily impressed by the work I see in White Rose's Garden. Take a look, I think you'll like it. Not a weed in sight.

You know, I was once working some ground to plant a new garden, when I plowed up a steel rudder for a boat. Since I had no boat, it would have been logical to throw it away, but about a year later, a small boat came to me, and it needed just such a rudder. Similarly, I took the photo above a few years ago, not knowing why, and now a White Rose has come to me, perhaps in need of just such a photo.

- RM