In Praise of Hairy Beasts

You know how
there are a lot of creepy things
with more than six legs,
like the Rockettes
and centipedes and committees
and some, like worms,
without any at all,
and the way four-legged things
are usually all furry and stable
and don't move about
in disgusting ways,
so are not really that creepy?
You know how your Uncle Al and Dick Cheney
and the guy that ran the drugstore
in your little hometown
each have two legs,
but are still creepy as all hell?
Creepier than morticians or
even dead guys?
You know how creepy
the clothes were
that you wore as a freshman,
both in high school and college?
You know how creepy you were
to people of the opposite sex, sure,
but to everyone, really?
You know how creepy
your Plymouth Valiant was?
You know how
there are a lot of creepy things
without hair, like salamanders
and your Uncle Al and bowling balls
and the way tennis balls
are kind of fuzzy so
they're not quite so damn creepy?
Think about chihuahuas.
You know how creepy
it is to look at somebody's ears?
No, really look.
And yours have hair
growing out of them now.
You know how some creepy things,
like pimples, have creepy names,
but zits don't sound so bad
and some things,
like human resources departments,
are really creepy,
but sound pretty good?
You know how a lot of creepy stuff,
like long shorts
and tattoos and pubic shaving
and Harley-Davidsons,
seem to be o.k. now?
And the way you figure
maybe someday you'll be acceptable
too?
Yeah, maybe . . .
but if you're still reading,
you're probably
still pretty creepy.

- ralph murre

Moonrise La Veta

a look toward home

from across these thousand miles

my pale friend rising

~ arem

Where I've Been

Sorry about the long absence. I've been doing a bit of wandering: bodily, mentally, spiritually. Back soon in all three dimensions, I think.

What I was doing, have done, is the editing and publishing of the little beauty of a book pictured above, Bar Code, the latest from my Little Eagle Press. Big piece of work. Good work, I think. Poetry, prose, photos and drawings from a terrific bunch of contributors, some very well known in small press circles and beyond, some just beginning to get work out there, all telling their stories of bars, saloons, and watering holes around several continents. The cover art you're looking at, incidentally, is by the master, Emmett Johns, to whom I am forever indebted.

More about this project and others in the days to come, but I hope you'll contact me me at littleeaglepress@gmail.com or write Little Eagle Press, P.O. Box 684, Baileys Harbor, WI, USA, 54202 to order. ($15 + $3 S&H - and I will take personal checks until I get burned.)

Hurrah!

Hurrah!
Hurrah!
Hurrah!

The Light, Again

look back once again

this light upon this water

the call of islands

- arem

The Light

the light this day
has every leaf of the forest
crying for its beauty
every ripple on this lake
outshining the next
a far crow
fearing
the loss of his darkness

- arem

Bragging Again

Just have to say that I've made another brief foray outside of the (very) small press world with two of my poems published in the current issue of Wisconsin People & Ideas, the journal of the Wisconsin Academy of Sciences, Arts & Letters, available in a few big box book stores and a few real book stores around these parts.

play of light

the playful light

in these still waters

the dark below

- arem

By Night

Flying by night,
stars floating in waves above us
like the prairie towns beneath our wings
and our captain, silent,
so we may hear the soft lapping
of years against the bright metal,
the distant voices crying
I knew you, I knew you;
the gods chuckling at our passage.
Silent, so we may think of depths
and the fragility of our craft.

So we may think of
the lives down there in the little towns,
the folding chairs of meeting rooms,
the all-night laundromats and
the lonely folding of blue shirts,
the folded hands of the faithful and
the flags folded in neat triangles,
the here's-to-ya last call toasting,
the dreams of newsboys;
their red bicycles under the stars.

- Ralph Murre

first appeared in Free Verse

cool

of dark and light

these days of days

growing short

of lengthening night

and northbound shadow

this last-resort aster's bloom

an evening chill

---

the cool room

the cool room

the unfamiliar room

---

these blue walls

-ralph murre

Paradise Post

a dog is barking

impressions of paradise

crow and jay agree

- arem

From My Window

A young girl half-runs down this street
without sidewalks.
She sobs as she goes, a dark cloud
belying the sunshine color
of her dress. She is gone
but the street is damp with tears.
An old man prays for daughters
he never fathered.
Night is coming with its accusations,
morning with its forgiveness
and street sweepers.

- Ralph Murre

" prose invents -- poetry discloses" - Jack Spicer

In Labor

In Labor

So they let you off for Labor Day,
like the 4th, like Memorial day,
and you have a coupla beers and
you char something on the Weber,
maybe listen to a ballgame,
your team still in the cellar.
Your cousin Bob comes over
with his face-lifted tit-lifted wife
and the Gameboy twins.
Nobody talks about labor except
that of delivering the twins
and there's some talk of her working
on her tan.
Your dad was in the strike of '52.
They drive a new Infiniti. It's gray.
Also the big one in '56. All summer.
You pick some tomatoes and corn
from the garden. Get salt and pepper.
They talk about the food
at Aquavit and Blu.
Your grampa rode the rails
in '35 and '36, stole chickens.
They have to go. Country Day School
starts tomorrow.
Your gramma was in labor
in the back of a Ford in '38.
There's a union man talking in the park
just a block away. Nobody listening.
A skateboard goes by.
The plant will close in 3 weeks.
You fall asleep in a plastic chair
from China, a little tomato juice
on your chin, a lazy fly circling.

- Ralph Murre

islands

in this gleaming cove

don't they appear quite certain

those two little islands?

- arem

sea story

funny, but
on the sunny
on the sunny
siding of the sea
you & me & jib &
gollywobbler set & filled
skimmy over skimmy
over wavy under-sea
a second story
and the roary wind
a blowin'
t'gallant ribbons
blue like prizes
all the sizes are assorted
on the foamy and the briney
and the tiny tiny ocean
'neath the keel.
a feelin' of a breeze
and of jesus on the seas
salts & tars awatchin' stars
and aprayin' on their knees
and the ladders to the pulpits
climbed by climby climby culprits
always gettin' closer to the top.
& the masthead's cuttin' slices
in the blue of skyward ices
and how nice is baggywrinkle
from the sternpost to the sprit?
the dark is darkly comin'
and the white foam is afoamin'
and the roamin' are ahummin'
of the comin' of a storm
in the early bleary bleary
and they're gettin kinda teary
in their warnings
in their warnings.
and the morning's comin' red
and the sailors in their dread
are eatin' weevily rations
and their passion's
are awaitin'
in the crusted shoreside bars
and the stars are twinkly twinkly
and the ink is flowin' wrinkly
on the tinkly tinkly page
as the sage is keepin' quiet
about the diet and the grog
and i watch it all a happenin'
in a puddle on the bog.

- ralph murre

far from home?

# 300

Here I am, posting to this blog for the three-hundredth time. Perhaps it is appropriate that this is a moment at which my life has taken a turn and I will be without my regular internet connection for a while. I will still try to post, when I can, from some other locale, but I'm afraid I won't be able to include any visual images for now. Maybe it will make a better writer of me. When I began this endeavor, I had no idea where I'd go with it, and still don't ~ but if you take a look back through the archives, I think you'll agree that we've come this far along an interesting path.

in the mail box

just a postcard

with no picture

- Ralph Murre

Enough?

a shanty

big enough to write

a river

- arem

About Hidden Things

It's the way you could no longer

hear the train on its rails

in the far off of the night

and the rain, it's the way

the rain sounded on that roof,

cooling summer.

It's the book you'd start again

each time, 'til you'd sleep.

It's the way you could sleep.

It's the way rusted iron

and old boards hid things.

It's about hidden things,

I'm pretty sure, and the way

you wanted to show somebody

the bright thing you found,

the way you were sure you could

fix it up and make it work again

and the way you thought you might.

Or,

it may be about hearing another train

at first light.

***

- Ralph Murre

A Day In July

A Day in July

Why do I think of you two, now?
This hot day and your bones in cool loam
so long, it seems.
You, twins and I, a third musketeer
as we careened
through hot summers before.
Working . . . drinking.
You taking me from white bread
to fry bread.
I hear the council drum.
Working . . . drinking.
It’s concrete work. Building a bridge.
Old man Bultman driving us like slaves
that summer hot as this.
Working . . . drinking. Week-end
pow wow at Shawano and I, dating your sister.
Your dad, old Esau, quiet.
Liking me O.K., ‘til then.
And my ma - looking pretty liberal, ‘til then.
And me, backing off.
Less work . . . less drink . . . less sister.
And she to Alaska and you
working . . . drinking –
earning so early your places to settle down
in the cool of the earth.
And I,
unable to hear the drum,
do not weep.

- Ralph Murre 2005

from Crude Red Boat, Cross + Roads Press 2007